My artistic and curatorial work is a constant conversation between traditional craftsmanship and contemporary expression. My journey began with an apprenticeship in Bangkok, where I learned traditional mural arts and gained a deep appreciation for detail and cultural history. This foundation, combined with my extensive studies in hand embroidery at institutions like the Royal School of Needlework, has provided me with a unique visual language for every piece I create.
I see both my art and curatorial practice as a form of cultural stewardship. My work—whether it's painting, printmaking, or textile art—is an exploration of the world's diverse colors, textures, and patterns. Each piece is a conversation about cultural identity and movement, reflecting how our histories and experiences shape the present.
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